Date: Sat, 14 Feb 2015 03:30:12 -0600
From: Dave Cerf
Subject: Re: grids from the plane
This is a rendering of all of the individual frames (~9000) in DIABLO EN LA PIEL, where each “column” is one minute of video.
I really love seeing all the frames in a multigrid arrangement (compared to the single grid approach). This seems to solve the problem the way magazines and newspapers do. We say “Did you read that ‘column’ this morning?” Perhaps we will say “Check out the edit in the third column” some day.


I’m interested in how to show all of the frames at different levels of scale/zoom/abstraction. Here’s a rendering of a sort of zoom into the video (you may need to manually scrub through this to understand it):
I understand this and I love that zooming is possible in part thanks to the multigrid/columnar layout. It’s interesting how certain videos lend themselves to this kind of approach more than others. Again, beware the case of the talking heads!


In an exhibition context, I imagine this as a body-controlled interface, and one that should be experienced in rather the reverse order: as you get closer to (“approach”) the image (projection? large TV/monitor?), you start seeing more and more frames, smaller and smaller. In a way, moving closer takes you to the “truth” of the video—a series of frames—but adds a critical-rational distance that makes it nearly impossible to parse/understand.
Brilliant! I agree with this approach: closer = more frames. It is interesting because I’ve been focused a lot on whether we’ll be completing this film in 4K resolution or 2K, and a lot of the arguments against 4K, besides expense, are that no one can see the difference from 2K past a certain distance threshold. Not quite the same thing, but similar. Would there be a zoom level in which you simply see the video playing in real time? I imagine that would be the furthest distance for the viewer—sort of like focus set to infinity.